Yep, it’s more scoop from the New York Wine and Food Festival.
Food Network HQ looked like it does every morning when I arrived at the office, but by the end of the day it had transformed into party central for the Chelsea Market After Dark event. Talk about a tour de force of FN talent. I spotted Alton, Guy, Sandra Lee, Aida, Alex, Anne and several contestants from The Next Iron Chef. Guy’s party den was out of control, complete with screaming fans, dancing bartenders, Guy tattoos and Jagermeister shots.
FN staffers were looking and feeling worse for wear after the previous night’s festivities. While others headed to the Burger Bash, I chose a calmer evening of lectures and cooking demos.
FACT: The Food Network Studio is in the old National Biscuit Company(Nabisco) bakery. The Oreo cookie was first baked here in 1912 and is now the best selling cookie in the world.
Click to check out the original Oreo packaging:
- Joe, Scheduling Manager (Honorary Food Network Historian)
When I first started at the Food Network, I envisioned lively coffee breaks with Giada on slow Monday afternoons. Or maybe shop talk over a toasty sandwich with Bobby in the Kitchens… Though this is not our reality and only some shows tape here in Chelsea Market, I have a few memorable run-ins to share.
I once heard Michael Symon’s distinctive laugh echoing down a hallway and scampered down to catch a glimpse. He’s definitely the Iron Chef with a heart of gold. Another time, I literally bumped into Duff Goldman while taking a corner too quickly. He laughed it off as I stuttered an apology and awkwardly ran back to my desk. Just last week I rode the elevator with Rachael Ray and her husband John – really!
But my favorite star-spotting happened while I was diligently finishing an expense report and heard a familiar voice. I looked up and, lo and behold, there was Alton Brown standing right in front of me!
What’s your best Food Network star run-in? We want stories!
~ LT, Production Coordinator
I’m sure it’s the same in offices across the country, but this week in the Food Network Programming department, you can quietly work and watch the tumbleweeds roll by. Holiday gift giving is over, everyone is on vacation, and only the few of us who are truly – truly – dedicated are holding down the fort, here at the Chelsea Market.
So how do the professionally food obsessed spend a quiet holiday week? Burgers! There are food perks at FN, food perks being in the Chelsea Market, and then there are food perks just being in this neighborhood.
In that spirit, here’s a quick tour of the burger offerings in our lovely hood that will make any carnivore happy. Note: it doesn’t hurt that we border the Meatpacking District.
Across the street is the legendary Old Homestead Steakhouse with the famous cow above the door. Next door to O.H.S. is Pop Burger, when you only need a small slider. One block down is The Diner, a rather more upscale version of it’s name. A few blocks away is Cafeteria, Tyler Florence‘s old haunt, and in the other direction there’s Corner Bistro, a truly old school tavern. Also in walking distance is the now mega-famous Spotted Pig, gastropub to the stars. You can find nearly any kind of food in the world in Chelsea, but it’s clearly a burger kind of town. You may not want to hit all of them in the same week though…
~ Fay, Programming
Photo: Thomas Censani
Operation Foodie here, with an insider look at production — on set at the Food Network Studios.
Just as recipes range from second-nature to baker-perfection, so does food television production. The dependents upon what make it a cinch vs. the need for more elbow grease vary… Shows like 30 Minute Meals are well-oiled machines that literally take about 30 minutes to shoot. The crew is small, Rachael is very low maintenance, the set practically builds itself, and the days fly by. These are what I consider the “Sunday Sauce” shows: consistently good and something the whole family finds comfort in.
Others take more managing, prep, and creative organizing. I call these the intricate “Turkey Mole” shows. The ingredients are particular, measurements precise, timing is specific, and attention to detail is immense. Our “Turkey Mole” shows range from the new, like Guy Off The Hook, to the veterans, like Iron Chef America. Crew sizes are much larger and there are a million things on the stove at once (literally and figuratively).
Guy Off The Hook was my first show in larger Studio A, and I recall how much prep work was required just catering for the audience. I was amazed at how much our team genuinely cared about the experience each guest would take home. From the moment Guy walked on the stage to wild cheers, I knew we’d achieved much more than we had hoped for.
That’s all for now! Back up to the studio to check in the crew for Tyler’s Ultimate!
~ Operation Foodie
Which chefs shoot in their real kitchens?
Talk about kitchen envy. Ina now shoots in her elegantly welcoming kitchen on her property in East Hampton, New York. I keep hoping she’ll adopt me. Paula also shoots in her gorgeous and gracious home in Savannah. The Neelys have just begun to shoot in their brand new home in Memphis.
Bobby, Giada, Ingrid, and Aaron shoot in real homes, but not theirs, either because their kitchen wasn’t quite right to shoot in, or they preferred not to. Believe me, I wouldn’t want hundreds of pounds of equipment and dozens of crew members tearing up my kitchen either.
Tyler shoots in a studio kitchen that was designed to resemble the kitchen he had at his NYC apartment, before he moved to California. Giada now shoots in a studio in Los Angeles on a set that is inspired by her airy new home kitchen. Sunny, Sandra, Aida, Anne & Guy shoot either in our studios here in Chelsea Market, or close by.
Please tell me you don’t throw out extra food on your cooking shows.
Not a chance. We work with a fantastic group called City Harvest to donate some of the food to local shelters. Some prepared food goes to feed our crew and kitchen staff. The only food that is disposed of is that food deemed unsafe to eat because it has sat out too long under hot lights.
Why didn’t you respond to my e-mail?
Rest assured we read every single message. But the sheer number — 20,000 a month — means that unfortunately we can’t answer every single one.
That’s it from where I sit.